Upcoming Events
Place's and Faces of Utah's Coal Country
Arts/Entertainment
Noel A. Carmack is associate professor of art at USU Eastern. He received a BFA in illustration and MFA in drawing/painting from USU. About the work in this exhibition he says: Many of the coal mines, tipples, and powerhouse stacks in Utah are beginning to disappear, due to the decline of petroleum-based energy industries. The boom-and-bust economy of southeastern Utah is turning toward more favorable efficient energy sources, so the life and traditions of the men and women who are dependent on these industries are changing. These painings and drawings represent the deteriorating structures, the weathering marks left on the landscape, and the faces of the people who live and work in the area. The work is comprised of the following: 1) industrial landscapes, featuring the machinery, structures, and tools which have been used to mine or extract the natural resources of this area, and 2) portraits of the men and women whose lives are closely tied to eastern/southeastern Utah region.
Tiny Pricks
Arts/Entertainment
Tiny Pricks is a public art project created and curated by Diana Weymar. Contributors from around the world are stitching Donald Trump’s words into textiles, creating the material record of his presidency and of the movement against it. Tiny Pricks Project holds a creative space in a tumultuous political climate. The collection counterbalances the impermanence of Twitter and other social media, and Trump’s statements as president through the use of textiles that embody warmth, craft, permanence, civility, and a shared history. The daintiness and integrity of each piece stand in stark contrast to his presidency. Sandra Charlson organized local community members, faculty, staff, and students to participate in this project.
Guitar Ensembles
Arts/Entertainment
The Guitar Ensembles concert features acoustic and electric ensembles The acoustic ensembles will be performing a Macedonian dance called Makendonsko Kolo, taken from six Balkan miniatures and arranged for solo classical guitar by Dusan Bogdanovic. Austin Weyand arranged this for four guitars. They'll also perform a Vivaldi arrangement by Peter Lohde and a fun set of blues by Mike Christiansen. The electric ensemble will perform Shiny Stockings, arranged by student Wayne Heaton and based on the famous recording by Count Basie, along with An Equine's Ox and Softly, As In A Morning Sunrise, arranged by Nate Ostermiller.
Open to students, faculty, and staff with USU ID. Students free, faculty/staff $10. No day-of-show ticket sales or online sales. CCA Box Office Monday - Friday, 2 - 5 p.m. L101, Chase Fine Arts Center, USU Campus 435-797-8022. After hours, tickets can be purchased at the USU Ticket Office in the Dee Glenn Smith Spectrum or by calling 435-797-0305. Open Monday - Friday, 10 a.m. - 5 p.m.
Place's and Faces of Utah's Coal Country
Arts/Entertainment
Noel A. Carmack is associate professor of art at USU Eastern. He received a BFA in illustration and MFA in drawing/painting from USU. About the work in this exhibition he says: Many of the coal mines, tipples, and powerhouse stacks in Utah are beginning to disappear, due to the decline of petroleum-based energy industries. The boom-and-bust economy of southeastern Utah is turning toward more favorable efficient energy sources, so the life and traditions of the men and women who are dependent on these industries are changing. These painings and drawings represent the deteriorating structures, the weathering marks left on the landscape, and the faces of the people who live and work in the area. The work is comprised of the following: 1) industrial landscapes, featuring the machinery, structures, and tools which have been used to mine or extract the natural resources of this area, and 2) portraits of the men and women whose lives are closely tied to eastern/southeastern Utah region.
Tiny Pricks
Arts/Entertainment
Tiny Pricks is a public art project created and curated by Diana Weymar. Contributors from around the world are stitching Donald Trump’s words into textiles, creating the material record of his presidency and of the movement against it. Tiny Pricks Project holds a creative space in a tumultuous political climate. The collection counterbalances the impermanence of Twitter and other social media, and Trump’s statements as president through the use of textiles that embody warmth, craft, permanence, civility, and a shared history. The daintiness and integrity of each piece stand in stark contrast to his presidency. Sandra Charlson organized local community members, faculty, staff, and students to participate in this project.
Tiny Pricks
Arts/Entertainment
Tiny Pricks is a public art project created and curated by Diana Weymar. Contributors from around the world are stitching Donald Trump’s words into textiles, creating the material record of his presidency and of the movement against it. Tiny Pricks Project holds a creative space in a tumultuous political climate. The collection counterbalances the impermanence of Twitter and other social media, and Trump’s statements as president through the use of textiles that embody warmth, craft, permanence, civility, and a shared history. The daintiness and integrity of each piece stand in stark contrast to his presidency. Sandra Charlson organized local community members, faculty, staff, and students to participate in this project.
Place's and Faces of Utah's Coal Country
Arts/Entertainment
Noel A. Carmack is associate professor of art at USU Eastern. He received a BFA in illustration and MFA in drawing/painting from USU. About the work in this exhibition he says: Many of the coal mines, tipples, and powerhouse stacks in Utah are beginning to disappear, due to the decline of petroleum-based energy industries. The boom-and-bust economy of southeastern Utah is turning toward more favorable efficient energy sources, so the life and traditions of the men and women who are dependent on these industries are changing. These painings and drawings represent the deteriorating structures, the weathering marks left on the landscape, and the faces of the people who live and work in the area. The work is comprised of the following: 1) industrial landscapes, featuring the machinery, structures, and tools which have been used to mine or extract the natural resources of this area, and 2) portraits of the men and women whose lives are closely tied to eastern/southeastern Utah region.
Place's and Faces of Utah's Coal Country
Arts/Entertainment
Noel A. Carmack is associate professor of art at USU Eastern. He received a BFA in illustration and MFA in drawing/painting from USU. About the work in this exhibition he says: Many of the coal mines, tipples, and powerhouse stacks in Utah are beginning to disappear, due to the decline of petroleum-based energy industries. The boom-and-bust economy of southeastern Utah is turning toward more favorable efficient energy sources, so the life and traditions of the men and women who are dependent on these industries are changing. These painings and drawings represent the deteriorating structures, the weathering marks left on the landscape, and the faces of the people who live and work in the area. The work is comprised of the following: 1) industrial landscapes, featuring the machinery, structures, and tools which have been used to mine or extract the natural resources of this area, and 2) portraits of the men and women whose lives are closely tied to eastern/southeastern Utah region.
Tiny Pricks
Arts/Entertainment
Tiny Pricks is a public art project created and curated by Diana Weymar. Contributors from around the world are stitching Donald Trump’s words into textiles, creating the material record of his presidency and of the movement against it. Tiny Pricks Project holds a creative space in a tumultuous political climate. The collection counterbalances the impermanence of Twitter and other social media, and Trump’s statements as president through the use of textiles that embody warmth, craft, permanence, civility, and a shared history. The daintiness and integrity of each piece stand in stark contrast to his presidency. Sandra Charlson organized local community members, faculty, staff, and students to participate in this project.
Tiny Pricks
Arts/Entertainment
Tiny Pricks is a public art project created and curated by Diana Weymar. Contributors from around the world are stitching Donald Trump’s words into textiles, creating the material record of his presidency and of the movement against it. Tiny Pricks Project holds a creative space in a tumultuous political climate. The collection counterbalances the impermanence of Twitter and other social media, and Trump’s statements as president through the use of textiles that embody warmth, craft, permanence, civility, and a shared history. The daintiness and integrity of each piece stand in stark contrast to his presidency. Sandra Charlson organized local community members, faculty, staff, and students to participate in this project.
Place's and Faces of Utah's Coal Country
Arts/Entertainment
Noel A. Carmack is associate professor of art at USU Eastern. He received a BFA in illustration and MFA in drawing/painting from USU. About the work in this exhibition he says: Many of the coal mines, tipples, and powerhouse stacks in Utah are beginning to disappear, due to the decline of petroleum-based energy industries. The boom-and-bust economy of southeastern Utah is turning toward more favorable efficient energy sources, so the life and traditions of the men and women who are dependent on these industries are changing. These painings and drawings represent the deteriorating structures, the weathering marks left on the landscape, and the faces of the people who live and work in the area. The work is comprised of the following: 1) industrial landscapes, featuring the machinery, structures, and tools which have been used to mine or extract the natural resources of this area, and 2) portraits of the men and women whose lives are closely tied to eastern/southeastern Utah region.
Wind Orchestra
Arts/Entertainment
Open to students, faculty, and staff with USU ID. Students free, faculty/staff $10. No day-of-show ticket sales or online sales. CCA Box Office Monday - Friday, 2 - 5 p.m. L101, Chase Fine Arts Center, USU Campus 435-797-8022. After hours, tickets can be purchased at the USU Ticket Office in the Dee Glenn Smith Spectrum or by calling 435-797-0305. Open Monday - Friday, 10 a.m. - 5 p.m.
USU Percussion Ensembles Concert
Arts/Entertainment
Open to students, faculty, and staff with USU ID. Students free, faculty/staff $10. No day-of-show ticket sales or online sales. CCA Box Office Monday - Friday, 2 - 5 p.m. L101, Chase Fine Arts Center, USU Campus 435-797-8022. After hours, tickets can be purchased at the USU Ticket Office in the Dee Glenn Smith Spectrum or by calling 435-797-0305. Open Monday - Friday, 10 a.m. - 5 p.m.
Caine Ensembles
Arts/Entertainment
Open to students, faculty, and staff with USU ID. Students free, faculty/staff $10. No day-of-show ticket sales or online sales. CCA Box Office Monday - Friday, 2 - 5 p.m. L101, Chase Fine Arts Center, USU Campus 435-797-8022. After hours, tickets can be purchased at the USU Ticket Office in the Dee Glenn Smith Spectrum or by calling 435-797-0305. Open Monday - Friday, 10 a.m. - 5 p.m.
USU Symphony Orchestra Concert
Arts/Entertainment
ALL AVAILABLE TICKETS HAVE BEEN CLAIMED. STREAM THE PERFORMANCE ONLINE AT CCAPRESENTS.USU.EDU
Open to students, faculty, and staff with USU ID. Students free, faculty/staff $10. No day-of-show ticket sales or online sales. CCA Box Office Monday - Friday, 2 - 5 p.m. L101, Chase Fine Arts Center, USU Campus 435-797-8022. After hours, tickets can be purchased at the USU Ticket Office in the Dee Glenn Smith Spectrum or by calling 435-797-0305. Open Monday - Friday, 10 a.m. - 5 p.m.
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