Upcoming Events
"Seeking Solace"
Arts/Entertainment
Gallery East Art Exhibit
Art by Terry Willis
Aaron Coleman Exhibition
Arts/Entertainment
Aaron is an artist/printmaker who is currently an Assistant Professor at the University of Arizona. Below is a description of his work. My work has evolved into a blanket description of the apocalyptic world in which we live. Police brutality, racial discrimination, religious extremism, persecution of the LGBT communities, economic unrest, global warming, species extinction, habitat loss, holy wars, power trips and ego mania are the extremes my work addresses. Earth is a disaster area, a gigantic crime scene. My work takes on the characteristics of this global chaos. Each piece is an explosive combination of comic book pages, religious iconography and advertising which illustrates a world in ruin and the heroes and villains who occupy it.
Communities West IV
Arts/Entertainment
Communities West IV is the fourth iteration of a biennial exchange. The folio was created with the intention of building community among printmakers living in, or with unyielding ties to the Western United States. In addition to building community, we are also interested in building a survey of printmakers who identify as having ties to the west and following their development through the continued curation of the portfolio. For the 4th iteration of the folio, participants from the first three folios were asked to participate again. The original list has also been added to through suggestions from members and seeking out work at conferences and events. As such the work represented is rich and varied in technique and concept. The artists in the folio are as diverse as the work. The community is made up of veteran and emerging printers, academics and working artists.
Latinx from the NEHMA Collection
Exhibition
Latinx works of art represent a growing part of the NEHMA collection and reflect a significant influence in Western American art. New acquisitions by Yolanda Gonzalez, Leo Limón, Paul Sierra and Eloy Torrez will be featured in Latinx from the Collection as well as a grouping of paños, artworks created on handkerchiefs by artists incarcerated in Texas penitentiaries.
Latinx from the NEHMA Collection is co-curated by USU Art History Professor Alvaro Ibarra and NEHMA Curator of Collections and Exhibitions Bolton Colburn.
Haikus, Modernism and Stanton MacDonald-Wright
Exhibition
Stanton MacDonald-Wright’s “Haiga Portfolio” (1965-1966) blends Eastern and Western influences, pairing vibrant modernist paintings with haikus written by some of Japan’s most influential poets.
The term “haiga” refers to a style of Japanese painting by haiku poets, whose poems are known for their brevity and simplicity. Each of the ten prints that compose the “Haiga Portfolio” have a corresponding haiku.
The “Haiga Portfolio” exemplifies the 20th century modernist movement Synchromism, cofounded in 1913 by MacDonald-Wright and Morgan Russell. The movement sought to arrange color in the same way that sound is composed in music and is considered the first American avant-guard movement to be accepted internationally. Seventy-five years old at the time of the portfolio’s creation, MacDonald-Wright employed the use of energetic, swirling shapes coupled with dense, vivid colors orchestrated in the modernist style and the rhythm of Synchromism.
Sky Above, Earth Below: A History of Western Landscape Photography
Exhibition
“Sky Above, Earth Below” traces the development of western landscape photography from the late 19th century to the 21st century, starting with early American photographers like Myra Albert Wiggins, Edward Curtis, and Karl Struss and concluding with contemporary photographers like Barry Andersen, Kimberly Anderson, Karalee Kuchar, and Charlotte Trolinger. The exhibition includes work from members of the Seattle Camera Club, FSA (Farm Security Administration), f/64 (a group of 20th-century photographers known for precise exposures and depiction of natural forms) and contemporary photography portfolios such as American Roads (printed in 1981), The Museum Project (printed in 2015), and DEMARCATION (printed in 2018).
Utah Women Making History exhibit
Exhibition | Year of the Woman
The Hyrum City Museum will feature the traveling exhibit "Utah Women Making History" in celebration of the three significant women's rights anniversaries in the year 2020. This exhibit includes illustrations of Utah women (and a few men) who worked throughout the 20th century to advocate for women and advance their communities, including USU alumna Mignon Barker Richmond. These 50 illustrations were commissioned by Better Days 2020, a nonprofit dedicated to popularizing Utah women’s history and spearheading Utah’s statewide celebrations of these significant anniversaries.
** Check the Hyrum City Museum website for offical times of business
Get Away Special General Team Meeting
Meeting
The Get Away Special Team is an undergraduate, extracurricular, small satellite research team within the Utah State University Department of Physics. This meeting is where sub-teams collaborate to ensure the success of projects such as a NASA CSLI-selectee CubeSat GASPACS and other small satellite research. All majors in any college are welcome to attend!
Every Brilliant Thing
Special Event
A touring company performing a play with a life-affirming message so powerful that the Utah Shakespeare Festival is offering it to every public high school and university in the state of Utah, in an effort to help stem the tide of youth suicide, is coming to USU. Every Brilliant Thing, by Duncan Macmillan with Jonny Donahoe, is an ingenious, heartfelt, highly theatrical one-person show wherein the narrator interacts directly with the audience.
Audience members learn that when the narrator was a child, his or her mother suffered from depression and attempted suicide. The narrator decided to make a list of all the things that make life worth living to persuade her to live, starting with #1, “ice cream,” and continuing to one million. This inventive, beautifully rendered theatrical experience is unique in the way the audience becomes a support community for the narrator and gains rich insights along the way about the things hiding in plain sight that make life worthwhile and wonderful.
The production at USU is hosted as part of Caine College of the Arts Week activities.
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