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Thursday, October 29

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29
Oct

Telling Our Story: 130 Years of Aggie Women

Exhibition

Merrill-Cazier Library joins the Year of the Woman celebration with the exhibit "Telling Out Story: 130 Years of Aggie Women." The exhibit is on display from October 1-November 23 in the Library Atrium. It can also be viewed digitally at http://exhibits.usu.edu/exhibits/show/tellingourstory.

All Day | USU Libraries |
29
Oct

Gallery East - "Continuum"

Arts/Entertainment

Charles Callis, “Continuum,” Paintings, October 14 – November 6

All Day |
29
Oct

The Day After Tomorrow: Art in Response to Turmoil and Hope

Exhibition

Our new reality is profoundly different than it was six months ago. Curated amid pandemic and protests, "The Day After Tomorrow: Art in Response to Turmoil and Hope" explores how artists respond to crisis, offering parallels to our own emotions and experiences this year.

"The Day After Tomorrow" is divided into three themes. "A Better Tomorrow" focuses on transcendence, alternate realities, the divine, afterlife, and bliss. "A Worse Yesterday" comprises works of art that address events that have shaken the world and thrown it into crises such as world wars, nuclear proliferation, AIDS, genocide, racism, and immigration. "Awry Ecosystem" focuses on art by artists concerned with the environment and how humans are changing it.

Also included is a Community Response Space, which will feature rotating exhibitions of work by local artists and where you can share your personal journey through an interactive display.

10:00 am - 5:00 pm | Nora Eccles Harrison Museum of Art |
29
Oct

African American Art, Social Justice, and Identity: Works by Black Artists from the NEHMA Collection

Exhibition

"African American Art, Social Justice and Identity" addresses Black identity in the United States through works of art by ten African American artists and ephemera from collectives including the Black Panthers, spanning 1887-1989. Sourced from the NEHMA collection, these artworks provide compelling visual form to racism, discrimination, and inequality.

10:00 am - 5:00 pm | Nora Eccles Harrison Museum of Art |
29
Oct

Women, Surrealism, and Abstraction

Exhibition

During the 20th century, art made by women was often overlooked or dismissed by museums, collectors, and art historians. Featuring work by 46 artists, "Women, Surrealism, and Abstraction" attempts to present a more holistic and complex view of art history—one that highlights artwork by women pushing beyond societal expectations and creative limitations through Surrealism and abstraction. Also featured alongside the art are 16 poems written by women in the Cache Valley literary community.

10:00 am - 5:00 pm | Nora Eccles Harrison Museum of Art |
29
Oct

Writing for the Popular Press: A Workshop for Utah Women

Workshop/Training

Whether it’s education, healthcare, the environment, politics, or the pandemic, our state is facing critical crossroads in so many areas, and Utah women have important insights and viewpoints about all of them. Yet in Utah, the majority of op-eds and other opinion pieces are still written by men. Why is it that so many Utah women do not state their opinions publicly? This workshop will provide insights on why you should write for the popular press and include tips and tools on how to discover what issues you can best write about. Holly and Heather will then help you learn to structure an op-ed, letter to the editor, blog post, solutions journalism piece, and other opinion pieces. The workshop will also include time spent in Zoom breakout rooms where you can discuss your ideas in a small group. During part of the second hour, Holly and Heather will split the attendees into two groups to answer questions and to provide more fine-tuned instruction. Finally, the full group will reconvene briefly so that the presenters can share final thoughts and discuss next steps. Join us for this event. You have a voice, and the popular press in Utah needs it!

3:00 pm - 5:00 pm | Online/Virtual |
29
Oct

“Gamification and Value Capture” by Dr. Thi Ngyuen

Conference/Seminar

Value capture occurs when an agent’s values are rich and subtle; they enter a social environment that presents simplified — typically quantified — versions of those values; and those simplified articulations come to dominate their practical reasoning. Examples include becoming motivated by FitBit’s step counts, Twitter Likes and Retweets, citation rates, ranked lists of best schools, and Grade Point Averages. Value capture poses several threats. First, it threatens to change the goals of our activities, in a way that often threatens to undermine the value of those activities. Second, in value capture, we take a central component of our autonomy — our ongoing deliberation over the exact articulation of our values — and we outsource it. That outsourcing cuts off one of the key benefits to personal deliberation. In value capture, we no longer adjust our values and their articulations in light of own rich experience of the world. Our values should be carefully tailored to our particular selves, but in value capture, we buy our values off the rack.


4:00 pm - 5:30 pm | Online/Virtual |
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