Upcoming Events
The Day After Tomorrow: Art in Response to Turmoil and Hope
Exhibition
Our new reality is profoundly different than it was six months ago. Curated amid pandemic and protests, "The Day After Tomorrow: Art in Response to Turmoil and Hope" explores how artists respond to crisis, offering parallels to our own emotions and experiences this year.
"The Day After Tomorrow" is divided into three themes. "A Better Tomorrow" focuses on transcendence, alternate realities, the divine, afterlife, and bliss. "A Worse Yesterday" comprises works of art that address events that have shaken the world and thrown it into crises such as world wars, nuclear proliferation, AIDS, genocide, racism, and immigration. "Awry Ecosystem" focuses on art by artists concerned with the environment and how humans are changing it.
Also included is a Community Response Space, which will feature rotating exhibitions of work by local artists and where you can share your personal journey through an interactive display.
The Day After Tomorrow: Art in Response to Turmoil and Hope
Exhibition
Our new reality is profoundly different than it was six months ago. Curated amid pandemic and protests, "The Day After Tomorrow: Art in Response to Turmoil and Hope" explores how artists respond to crisis, offering parallels to our own emotions and experiences this year.
"The Day After Tomorrow" is divided into three themes. "A Better Tomorrow" focuses on transcendence, alternate realities, the divine, afterlife, and bliss. "A Worse Yesterday" comprises works of art that address events that have shaken the world and thrown it into crises such as world wars, nuclear proliferation, AIDS, genocide, racism, and immigration. "Awry Ecosystem" focuses on art by artists concerned with the environment and how humans are changing it.
Also included is a Community Response Space, which will feature rotating exhibitions of work by local artists and where you can share your personal journey through an interactive display.
CHaSS Virtual Tour: Education
Information/Orientation
Learn how programs in the College of Humanities and Social Sciences (CHaSS) can lead to careers in the areas of Education. Meet virtually with advisors and faculty as we answer questions about teaching majors History, Spanish, French, German, and English.
We’ll start with an overview for all interested students at 11:30am and then breakout into groups. Participate in one or more sessions by joining the conversation at the appropriate time:
-Overview of CHaSS Leadership and Communications programs 11:30-11:45am
-History Teaching11:45am-12:00pm
-Language Teaching12:00-12:15pm
-English Teaching12:15-12:30pm
Follow this link to register and listen in on Wednesday via WebEx!
https://usumeetings.webex.com/usumeetings/onstage/g.php?MTID=e07703296c710a98aa3779f92ae3f5187
Latinx from the NEHMA Collection
Exhibition
Latinx works of art represent a growing part of the NEHMA collection and reflect a significant influence in Western American art. New acquisitions by Yolanda Gonzalez, Leo Limón, Paul Sierra and Eloy Torrez will be featured in Latinx from the Collection as well as a grouping of paños, artworks created on handkerchiefs by artists incarcerated in Texas penitentiaries.
Latinx from the NEHMA Collection is co-curated by USU Art History Professor Alvaro Ibarra and NEHMA Curator of Collections and Exhibitions Bolton Colburn.
Sky Above, Earth Below: A History of Western Landscape Photography
Exhibition
“Sky Above, Earth Below” traces the development of western landscape photography from the late 19th century to the 21st century, starting with early American photographers like Myra Albert Wiggins, Edward Curtis, and Karl Struss and concluding with contemporary photographers like Barry Andersen, Kimberly Anderson, Karalee Kuchar, and Charlotte Trolinger. The exhibition includes work from members of the Seattle Camera Club, FSA (Farm Security Administration), f/64 (a group of 20th-century photographers known for precise exposures and depiction of natural forms) and contemporary photography portfolios such as American Roads (printed in 1981), The Museum Project (printed in 2015), and DEMARCATION (printed in 2018).
Virtual Open House - Student Support Services
Information/Orientation
Learn about the many student support services available at USU.
USU Brigham City and USU Tremonton virtual open house events are here to assist you in your steps to becoming an Aggie. Learn more about next steps, speak to USU representatives, and get questions answered right from your home.
A $100 Fall 2020 tuition credit will be awarded each Wednesday. It will randomly be drawn from virtual participants. Provided by USU Brigham City Community Education Committee.*
*Some rules and restrictions may apply
The Day After Tomorrow: Art in Response to Turmoil and Hope
Exhibition
Our new reality is profoundly different than it was six months ago. Curated amid pandemic and protests, "The Day After Tomorrow: Art in Response to Turmoil and Hope" explores how artists respond to crisis, offering parallels to our own emotions and experiences this year.
"The Day After Tomorrow" is divided into three themes. "A Better Tomorrow" focuses on transcendence, alternate realities, the divine, afterlife, and bliss. "A Worse Yesterday" comprises works of art that address events that have shaken the world and thrown it into crises such as world wars, nuclear proliferation, AIDS, genocide, racism, and immigration. "Awry Ecosystem" focuses on art by artists concerned with the environment and how humans are changing it.
Also included is a Community Response Space, which will feature rotating exhibitions of work by local artists and where you can share your personal journey through an interactive display.
Latinx from the NEHMA Collection
Exhibition
Latinx works of art represent a growing part of the NEHMA collection and reflect a significant influence in Western American art. New acquisitions by Yolanda Gonzalez, Leo Limón, Paul Sierra and Eloy Torrez will be featured in Latinx from the Collection as well as a grouping of paños, artworks created on handkerchiefs by artists incarcerated in Texas penitentiaries.
Latinx from the NEHMA Collection is co-curated by USU Art History Professor Alvaro Ibarra and NEHMA Curator of Collections and Exhibitions Bolton Colburn.
Sky Above, Earth Below: A History of Western Landscape Photography
Exhibition
“Sky Above, Earth Below” traces the development of western landscape photography from the late 19th century to the 21st century, starting with early American photographers like Myra Albert Wiggins, Edward Curtis, and Karl Struss and concluding with contemporary photographers like Barry Andersen, Kimberly Anderson, Karalee Kuchar, and Charlotte Trolinger. The exhibition includes work from members of the Seattle Camera Club, FSA (Farm Security Administration), f/64 (a group of 20th-century photographers known for precise exposures and depiction of natural forms) and contemporary photography portfolios such as American Roads (printed in 1981), The Museum Project (printed in 2015), and DEMARCATION (printed in 2018).
Latinx from the NEHMA Collection
Exhibition
Latinx works of art represent a growing part of the NEHMA collection and reflect a significant influence in Western American art. New acquisitions by Yolanda Gonzalez, Leo Limón, Paul Sierra and Eloy Torrez will be featured in Latinx from the Collection as well as a grouping of paños, artworks created on handkerchiefs by artists incarcerated in Texas penitentiaries.
Latinx from the NEHMA Collection is co-curated by USU Art History Professor Alvaro Ibarra and NEHMA Curator of Collections and Exhibitions Bolton Colburn.
Sky Above, Earth Below: A History of Western Landscape Photography
Exhibition
“Sky Above, Earth Below” traces the development of western landscape photography from the late 19th century to the 21st century, starting with early American photographers like Myra Albert Wiggins, Edward Curtis, and Karl Struss and concluding with contemporary photographers like Barry Andersen, Kimberly Anderson, Karalee Kuchar, and Charlotte Trolinger. The exhibition includes work from members of the Seattle Camera Club, FSA (Farm Security Administration), f/64 (a group of 20th-century photographers known for precise exposures and depiction of natural forms) and contemporary photography portfolios such as American Roads (printed in 1981), The Museum Project (printed in 2015), and DEMARCATION (printed in 2018).
Jammin' at the Blue Square
Arts/Entertainment
Live Music - Food - Beverages
Latinx from the NEHMA Collection
Exhibition
Latinx works of art represent a growing part of the NEHMA collection and reflect a significant influence in Western American art. New acquisitions by Yolanda Gonzalez, Leo Limón, Paul Sierra and Eloy Torrez will be featured in Latinx from the Collection as well as a grouping of paños, artworks created on handkerchiefs by artists incarcerated in Texas penitentiaries.
Latinx from the NEHMA Collection is co-curated by USU Art History Professor Alvaro Ibarra and NEHMA Curator of Collections and Exhibitions Bolton Colburn.
Sky Above, Earth Below: A History of Western Landscape Photography
Exhibition
“Sky Above, Earth Below” traces the development of western landscape photography from the late 19th century to the 21st century, starting with early American photographers like Myra Albert Wiggins, Edward Curtis, and Karl Struss and concluding with contemporary photographers like Barry Andersen, Kimberly Anderson, Karalee Kuchar, and Charlotte Trolinger. The exhibition includes work from members of the Seattle Camera Club, FSA (Farm Security Administration), f/64 (a group of 20th-century photographers known for precise exposures and depiction of natural forms) and contemporary photography portfolios such as American Roads (printed in 1981), The Museum Project (printed in 2015), and DEMARCATION (printed in 2018).
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