Upcoming Events
Place's and Faces of Utah's Coal Country
Arts/Entertainment
Noel A. Carmack is associate professor of art at USU Eastern. He received a BFA in illustration and MFA in drawing/painting from USU. About the work in this exhibition he says: Many of the coal mines, tipples, and powerhouse stacks in Utah are beginning to disappear, due to the decline of petroleum-based energy industries. The boom-and-bust economy of southeastern Utah is turning toward more favorable efficient energy sources, so the life and traditions of the men and women who are dependent on these industries are changing. These painings and drawings represent the deteriorating structures, the weathering marks left on the landscape, and the faces of the people who live and work in the area. The work is comprised of the following: 1) industrial landscapes, featuring the machinery, structures, and tools which have been used to mine or extract the natural resources of this area, and 2) portraits of the men and women whose lives are closely tied to eastern/southeastern Utah region.
Place's and Faces of Utah's Coal Country
Arts/Entertainment
Noel A. Carmack is associate professor of art at USU Eastern. He received a BFA in illustration and MFA in drawing/painting from USU. About the work in this exhibition he says: Many of the coal mines, tipples, and powerhouse stacks in Utah are beginning to disappear, due to the decline of petroleum-based energy industries. The boom-and-bust economy of southeastern Utah is turning toward more favorable efficient energy sources, so the life and traditions of the men and women who are dependent on these industries are changing. These painings and drawings represent the deteriorating structures, the weathering marks left on the landscape, and the faces of the people who live and work in the area. The work is comprised of the following: 1) industrial landscapes, featuring the machinery, structures, and tools which have been used to mine or extract the natural resources of this area, and 2) portraits of the men and women whose lives are closely tied to eastern/southeastern Utah region.
Place's and Faces of Utah's Coal Country
Arts/Entertainment
Noel A. Carmack is associate professor of art at USU Eastern. He received a BFA in illustration and MFA in drawing/painting from USU. About the work in this exhibition he says: Many of the coal mines, tipples, and powerhouse stacks in Utah are beginning to disappear, due to the decline of petroleum-based energy industries. The boom-and-bust economy of southeastern Utah is turning toward more favorable efficient energy sources, so the life and traditions of the men and women who are dependent on these industries are changing. These painings and drawings represent the deteriorating structures, the weathering marks left on the landscape, and the faces of the people who live and work in the area. The work is comprised of the following: 1) industrial landscapes, featuring the machinery, structures, and tools which have been used to mine or extract the natural resources of this area, and 2) portraits of the men and women whose lives are closely tied to eastern/southeastern Utah region.
CCA's Midweek Music Series: Music Theater Cabaret
Arts/Entertainment
USU voice students involved with the USU Opera Theatre are thrilled to present an evening of beloved contemporary musical theatre solos, duets, and trios. Featuring favorites from Sweeney Todd, Waitress, The Little Mermaid, Hamilton, Addams Family, and more, we are sure to brighten up your day. Dress warmly, drop in, and enjoy!
USU Big Bands
Arts/Entertainment
Join USU's two big bands as we celebrate saxophonist, composer and arranger Bob Mintzer. The USU Jazz Orchestra, under the direction of Jon Gudmundson, will present a Mintzer Sandwich, so to speak, with a set of three of Mintzer's most popular arrangements: "Computer," "Acha," and "Ellis Island," enveloped between two nutritious slices of Basie bread. The Basie bookends consist of the classics "Corner Pocket" and "Shiny Stockings."
The USU Jazz Ensemble, directed by Greg Wheeler, will likewise present a sandwich of big band masterworks guaranteed to set your toe to tapping and your head to bobbing.
Open to students, faculty, and staff with USU ID. Students free, faculty/staff $10. No day-of-show ticket sales or online sales. CCA Box Office Monday - Friday, 2 - 5 p.m. L101, Chase Fine Arts Center, USU Campus 435-797-8022. After hours, tickets can be purchased at the USU Ticket Office in the Dee Glenn Smith Spectrum or by calling 435-797-0305. Open Monday - Friday, 10 a.m. - 5 p.m.
Place's and Faces of Utah's Coal Country
Arts/Entertainment
Noel A. Carmack is associate professor of art at USU Eastern. He received a BFA in illustration and MFA in drawing/painting from USU. About the work in this exhibition he says: Many of the coal mines, tipples, and powerhouse stacks in Utah are beginning to disappear, due to the decline of petroleum-based energy industries. The boom-and-bust economy of southeastern Utah is turning toward more favorable efficient energy sources, so the life and traditions of the men and women who are dependent on these industries are changing. These painings and drawings represent the deteriorating structures, the weathering marks left on the landscape, and the faces of the people who live and work in the area. The work is comprised of the following: 1) industrial landscapes, featuring the machinery, structures, and tools which have been used to mine or extract the natural resources of this area, and 2) portraits of the men and women whose lives are closely tied to eastern/southeastern Utah region.
Place's and Faces of Utah's Coal Country
Arts/Entertainment
Noel A. Carmack is associate professor of art at USU Eastern. He received a BFA in illustration and MFA in drawing/painting from USU. About the work in this exhibition he says: Many of the coal mines, tipples, and powerhouse stacks in Utah are beginning to disappear, due to the decline of petroleum-based energy industries. The boom-and-bust economy of southeastern Utah is turning toward more favorable efficient energy sources, so the life and traditions of the men and women who are dependent on these industries are changing. These painings and drawings represent the deteriorating structures, the weathering marks left on the landscape, and the faces of the people who live and work in the area. The work is comprised of the following: 1) industrial landscapes, featuring the machinery, structures, and tools which have been used to mine or extract the natural resources of this area, and 2) portraits of the men and women whose lives are closely tied to eastern/southeastern Utah region.
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