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Place's and Faces of Utah's Coal Country
Arts/Entertainment
Noel A. Carmack is associate professor of art at USU Eastern. He received a BFA in illustration and MFA in drawing/painting from USU. About the work in this exhibition he says: Many of the coal mines, tipples, and powerhouse stacks in Utah are beginning to disappear, due to the decline of petroleum-based energy industries. The boom-and-bust economy of southeastern Utah is turning toward more favorable efficient energy sources, so the life and traditions of the men and women who are dependent on these industries are changing. These painings and drawings represent the deteriorating structures, the weathering marks left on the landscape, and the faces of the people who live and work in the area. The work is comprised of the following: 1) industrial landscapes, featuring the machinery, structures, and tools which have been used to mine or extract the natural resources of this area, and 2) portraits of the men and women whose lives are closely tied to eastern/southeastern Utah region.
Place's and Faces of Utah's Coal Country
Arts/Entertainment
Noel A. Carmack is associate professor of art at USU Eastern. He received a BFA in illustration and MFA in drawing/painting from USU. About the work in this exhibition he says: Many of the coal mines, tipples, and powerhouse stacks in Utah are beginning to disappear, due to the decline of petroleum-based energy industries. The boom-and-bust economy of southeastern Utah is turning toward more favorable efficient energy sources, so the life and traditions of the men and women who are dependent on these industries are changing. These painings and drawings represent the deteriorating structures, the weathering marks left on the landscape, and the faces of the people who live and work in the area. The work is comprised of the following: 1) industrial landscapes, featuring the machinery, structures, and tools which have been used to mine or extract the natural resources of this area, and 2) portraits of the men and women whose lives are closely tied to eastern/southeastern Utah region.
Place's and Faces of Utah's Coal Country
Arts/Entertainment
Noel A. Carmack is associate professor of art at USU Eastern. He received a BFA in illustration and MFA in drawing/painting from USU. About the work in this exhibition he says: Many of the coal mines, tipples, and powerhouse stacks in Utah are beginning to disappear, due to the decline of petroleum-based energy industries. The boom-and-bust economy of southeastern Utah is turning toward more favorable efficient energy sources, so the life and traditions of the men and women who are dependent on these industries are changing. These painings and drawings represent the deteriorating structures, the weathering marks left on the landscape, and the faces of the people who live and work in the area. The work is comprised of the following: 1) industrial landscapes, featuring the machinery, structures, and tools which have been used to mine or extract the natural resources of this area, and 2) portraits of the men and women whose lives are closely tied to eastern/southeastern Utah region.
Place's and Faces of Utah's Coal Country
Arts/Entertainment
Noel A. Carmack is associate professor of art at USU Eastern. He received a BFA in illustration and MFA in drawing/painting from USU. About the work in this exhibition he says: Many of the coal mines, tipples, and powerhouse stacks in Utah are beginning to disappear, due to the decline of petroleum-based energy industries. The boom-and-bust economy of southeastern Utah is turning toward more favorable efficient energy sources, so the life and traditions of the men and women who are dependent on these industries are changing. These painings and drawings represent the deteriorating structures, the weathering marks left on the landscape, and the faces of the people who live and work in the area. The work is comprised of the following: 1) industrial landscapes, featuring the machinery, structures, and tools which have been used to mine or extract the natural resources of this area, and 2) portraits of the men and women whose lives are closely tied to eastern/southeastern Utah region.
Place's and Faces of Utah's Coal Country
Arts/Entertainment
Noel A. Carmack is associate professor of art at USU Eastern. He received a BFA in illustration and MFA in drawing/painting from USU. About the work in this exhibition he says: Many of the coal mines, tipples, and powerhouse stacks in Utah are beginning to disappear, due to the decline of petroleum-based energy industries. The boom-and-bust economy of southeastern Utah is turning toward more favorable efficient energy sources, so the life and traditions of the men and women who are dependent on these industries are changing. These painings and drawings represent the deteriorating structures, the weathering marks left on the landscape, and the faces of the people who live and work in the area. The work is comprised of the following: 1) industrial landscapes, featuring the machinery, structures, and tools which have been used to mine or extract the natural resources of this area, and 2) portraits of the men and women whose lives are closely tied to eastern/southeastern Utah region.
Utah State Theatre: The Wolves
Arts/Entertainment
Left quad. Right quad. Lunge. A girls indoor soccer team warms up. From the safety of their suburban stretch circle, the team navigates big questions and wages tiny battles with all the vim and vigor of a pack of adolescent warriors. A portrait of life, liberty, and the pursuit of happiness for nine American girls who just want to score some goals.
Open to students, faculty, and staff with USU ID. Students free, faculty/staff $8. No day-of-show ticket sales or online sales. CCA Box Office Monday - Friday, 2 - 5 p.m. L101, Chase Fine Arts Center, USU Campus 435-797-8022. After hours, tickets can be purchased at the USU Ticket Office in the Dee Glenn Smith Spectrum or by calling 435-797-0305. Open Monday - Friday, 10 a.m. - 5 p.m.
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