Upcoming Events

eLearnX - Experiential Training for Digital-Age Teaching

Workshop/Training

The eLearnX event is cosponsored by the Office of Empowering Teaching Excellence (ETE) and by the Center for Innovative Design and Instruction (CIDI). This three-day virtual workshop provides a hands-on deep dive into the teaching tools and methodologies of online, broadcast, and blended instruction.

• Day 1: Sessions on e-learning pedagogy and course mapping.


• Day 2: Breakout sessions on edtech teaching tools and practical applications of instructional approaches from USU instructors and instructional professionals.


• Day 3: Culminates in the creation of activities and other useful resources than can be immediately implemented into courses.

Little Naturalist

Lecture/Readings | Home, Family, and Food

Little Naturalist is the perfect program for 3 to 5 year olds who are curious about animals, their habitats, the environment, and exploring nature. Join us twice a month, October through May, from 10 a.m. to 11 a.m. to read a specially selected nature-themed book, explore the natural world, and complete a craft. Some favorites include snowshoeing on the Preserve, interacting with live reptiles and amphibians, upcycling old materials into holiday decorations, and much more!

Cost is $2.00 per youth participant, or buy a $15.00 punch card good f or 10 programs.

CIDI Workshop - Humanizing Online Learning Environments

Workshop/Training

Online learning environments can be just as engaging as a face-to-face class experience. Let us show you how!

David Maisel: Proving Ground

Exhibition

In a remote region of Utah’s Great Salt Lake Desert, a classified military site called Dugway Proving Ground remains largely hidden from public view, closed to civilians and rarely seen in the media. Since its founding during World War II, Dugway Proving Ground has been a test site for chemical and biological weapons.

In 2014, after a decade of inquiry to the Pentagon, artist David Maisel was granted access to Dugway Proving Ground. Through large-scaled photographs and video projection, Proving Ground immerses the viewer in this surreal and alien realm – in Maisel’s words, a “hidden, walled-off, and secret site that offers the opportunity to reflect on who and what we are collectively, as a society.”

The Nora Eccles Harrison Museum of Art is pleased to present this new body of work by Maisel, who was awarded a prestigious 2018 Guggenheim Fellowship in the Arts for the Proving Ground project.

MUSEUM HOURS:
Monday: closed
Tuesday: 10am-5pm
Wednesday: 10am-5pm
Thursday: 10am-7pm
Friday: 10am-5pm
Saturday: 9am-2pm
Sunday: closed

Haikus, Modernism and Stanton MacDonald-Wright

Exhibition

Stanton MacDonald-Wright’s “Haiga Portfolio” (1965-1966) blends Eastern and Western influences, pairing vibrant modernist paintings with haikus written by some of Japan’s most influential poets.
The term “haiga” refers to a style of Japanese painting by haiku poets, whose poems are known for their brevity and simplicity. Each of the ten prints that compose the “Haiga Portfolio” have a corresponding haiku.
The “Haiga Portfolio” exemplifies the 20th century modernist movement Synchromism, cofounded in 1913 by MacDonald-Wright and Morgan Russell. The movement sought to arrange color in the same way that sound is composed in music and is considered the first American avant-guard movement to be accepted internationally. Seventy-five years old at the time of the portfolio’s creation, MacDonald-Wright employed the use of energetic, swirling shapes coupled with dense, vivid colors orchestrated in the modernist style and the rhythm of Synchromism.

CIDI Workshop - Managing Large Classes in Canvas

Workshop/Training

This workshop will advise instructors how to manage large classes online in the Canvas LMS.

Backyard Composting Virtual Workshop

Workshop/Training | Gardening

Want to get compost started at your home but aren't sure how? Already have a composting system but have questions? Join USU Extension-Summit County and the Swaner Preserve and EcoCenter for a virtual composting workshop with Assistant Professor and Urban & Small Farms Extension Specialist, Melanie Stock! Participate from the comfort of your home. Once you register for this event, we will send you the information on how to access the webinar on your home computer or smartphone. We will also be recording this lecture and will share it with registrants afterward.

David Maisel: Proving Ground

Exhibition

In a remote region of Utah’s Great Salt Lake Desert, a classified military site called Dugway Proving Ground remains largely hidden from public view, closed to civilians and rarely seen in the media. Since its founding during World War II, Dugway Proving Ground has been a test site for chemical and biological weapons.

In 2014, after a decade of inquiry to the Pentagon, artist David Maisel was granted access to Dugway Proving Ground. Through large-scaled photographs and video projection, Proving Ground immerses the viewer in this surreal and alien realm – in Maisel’s words, a “hidden, walled-off, and secret site that offers the opportunity to reflect on who and what we are collectively, as a society.”

The Nora Eccles Harrison Museum of Art is pleased to present this new body of work by Maisel, who was awarded a prestigious 2018 Guggenheim Fellowship in the Arts for the Proving Ground project.

MUSEUM HOURS:
Monday: closed
Tuesday: 10am-5pm
Wednesday: 10am-5pm
Thursday: 10am-7pm
Friday: 10am-5pm
Saturday: 9am-2pm
Sunday: closed

Haikus, Modernism and Stanton MacDonald-Wright

Exhibition

Stanton MacDonald-Wright’s “Haiga Portfolio” (1965-1966) blends Eastern and Western influences, pairing vibrant modernist paintings with haikus written by some of Japan’s most influential poets.
The term “haiga” refers to a style of Japanese painting by haiku poets, whose poems are known for their brevity and simplicity. Each of the ten prints that compose the “Haiga Portfolio” have a corresponding haiku.
The “Haiga Portfolio” exemplifies the 20th century modernist movement Synchromism, cofounded in 1913 by MacDonald-Wright and Morgan Russell. The movement sought to arrange color in the same way that sound is composed in music and is considered the first American avant-guard movement to be accepted internationally. Seventy-five years old at the time of the portfolio’s creation, MacDonald-Wright employed the use of energetic, swirling shapes coupled with dense, vivid colors orchestrated in the modernist style and the rhythm of Synchromism.

Latinx Virtual Center

Cultural

The Latinx Cultural Center is providing you with a Virtual Center! You can check in to see what your Latinos In Action council is up to, find resources for your online classes, ask about opportunities during this difficult time, and allow us to stay home together with you. If you would like to be included, please let us know, and tell all of your Aggie friends! The video chats "La Hora de la Sopa" will be open every week on Wednesdays from 11 am to 2 pm until August 07th via WebEx, This will allow you to check-in and out on your own time, just like the physical center! We are planning on continuing the virtual center as long as we need to until we are able to meet in the physical center once more and are all able to meet again on campus.

Latinx from the NEHMA Collection

Exhibition

Latinx works of art represent a growing part of the NEHMA collection and reflect a significant influence in Western American art. New acquisitions by Yolanda Gonzalez, Leo Limón, Paul Sierra and Eloy Torrez will be featured in Latinx from the Collection as well as a grouping of paños, artworks created on handkerchiefs by artists incarcerated in Texas penitentiaries.

Latinx from the NEHMA Collection is co-curated by USU Art History Professor Alvaro Ibarra and NEHMA Curator of Collections and Exhibitions Bolton Colburn.

Sky Above, Earth Below: A History of Western Landscape Photography

Exhibition

“Sky Above, Earth Below” traces the development of western landscape photography from the late 19th century to the 21st century, starting with early American photographers like Myra Albert Wiggins, Edward Curtis, and Karl Struss and concluding with contemporary photographers like Barry Andersen, Kimberly Anderson, Karalee Kuchar, and Charlotte Trolinger. The exhibition includes work from members of the Seattle Camera Club, FSA (Farm Security Administration), f/64 (a group of 20th-century photographers known for precise exposures and depiction of natural forms) and contemporary photography portfolios such as American Roads (printed in 1981), The Museum Project (printed in 2015), and DEMARCATION (printed in 2018).

What's Next Wednesday: USU Brigham City Q&A - Virtual Event

Information/Orientation

Learn your next steps to becoming an Aggie at USU Brigham City or Tremonton. Learn how to get admitted, register for classes, apply for scholarships and financial aid, and how to access student resources and support services. Have all of your questions about becoming an Aggie answered. Register at http://uintahbasin.usu.edu/virtual-events.

Virtual Order of the Engineer Ceremony

Ceremony/Awards/Celebration

Join the college of engineering in celebrating the Order of the Engineer Ceremony online. The Order of the Engineer was initiated in the United States to foster a spirit of pride and responsibility in the engineering profession, to bridge the gap between training and experience, and to present to the public a visible symbol identifying the engineer.

David Maisel: Proving Ground

Exhibition

In a remote region of Utah’s Great Salt Lake Desert, a classified military site called Dugway Proving Ground remains largely hidden from public view, closed to civilians and rarely seen in the media. Since its founding during World War II, Dugway Proving Ground has been a test site for chemical and biological weapons.

In 2014, after a decade of inquiry to the Pentagon, artist David Maisel was granted access to Dugway Proving Ground. Through large-scaled photographs and video projection, Proving Ground immerses the viewer in this surreal and alien realm – in Maisel’s words, a “hidden, walled-off, and secret site that offers the opportunity to reflect on who and what we are collectively, as a society.”

The Nora Eccles Harrison Museum of Art is pleased to present this new body of work by Maisel, who was awarded a prestigious 2018 Guggenheim Fellowship in the Arts for the Proving Ground project.

MUSEUM HOURS:
Monday: closed
Tuesday: 10am-5pm
Wednesday: 10am-5pm
Thursday: 10am-7pm
Friday: 10am-5pm
Saturday: 9am-2pm
Sunday: closed

Haikus, Modernism and Stanton MacDonald-Wright

Exhibition

Stanton MacDonald-Wright’s “Haiga Portfolio” (1965-1966) blends Eastern and Western influences, pairing vibrant modernist paintings with haikus written by some of Japan’s most influential poets.
The term “haiga” refers to a style of Japanese painting by haiku poets, whose poems are known for their brevity and simplicity. Each of the ten prints that compose the “Haiga Portfolio” have a corresponding haiku.
The “Haiga Portfolio” exemplifies the 20th century modernist movement Synchromism, cofounded in 1913 by MacDonald-Wright and Morgan Russell. The movement sought to arrange color in the same way that sound is composed in music and is considered the first American avant-guard movement to be accepted internationally. Seventy-five years old at the time of the portfolio’s creation, MacDonald-Wright employed the use of energetic, swirling shapes coupled with dense, vivid colors orchestrated in the modernist style and the rhythm of Synchromism.

CIDI Workshop - How to Quickly Create a Beautiful Canvas Course

Workshop/Training

Design Tools for Canvas allows you to rapidly stylize and build out your Canvas course, allowing you to focus more time on planning engaging content and learning activities in your course.

Latinx from the NEHMA Collection

Exhibition

Latinx works of art represent a growing part of the NEHMA collection and reflect a significant influence in Western American art. New acquisitions by Yolanda Gonzalez, Leo Limón, Paul Sierra and Eloy Torrez will be featured in Latinx from the Collection as well as a grouping of paños, artworks created on handkerchiefs by artists incarcerated in Texas penitentiaries.

Latinx from the NEHMA Collection is co-curated by USU Art History Professor Alvaro Ibarra and NEHMA Curator of Collections and Exhibitions Bolton Colburn.

Sky Above, Earth Below: A History of Western Landscape Photography

Exhibition

“Sky Above, Earth Below” traces the development of western landscape photography from the late 19th century to the 21st century, starting with early American photographers like Myra Albert Wiggins, Edward Curtis, and Karl Struss and concluding with contemporary photographers like Barry Andersen, Kimberly Anderson, Karalee Kuchar, and Charlotte Trolinger. The exhibition includes work from members of the Seattle Camera Club, FSA (Farm Security Administration), f/64 (a group of 20th-century photographers known for precise exposures and depiction of natural forms) and contemporary photography portfolios such as American Roads (printed in 1981), The Museum Project (printed in 2015), and DEMARCATION (printed in 2018).

David Maisel: Proving Ground

Exhibition

In a remote region of Utah’s Great Salt Lake Desert, a classified military site called Dugway Proving Ground remains largely hidden from public view, closed to civilians and rarely seen in the media. Since its founding during World War II, Dugway Proving Ground has been a test site for chemical and biological weapons.

In 2014, after a decade of inquiry to the Pentagon, artist David Maisel was granted access to Dugway Proving Ground. Through large-scaled photographs and video projection, Proving Ground immerses the viewer in this surreal and alien realm – in Maisel’s words, a “hidden, walled-off, and secret site that offers the opportunity to reflect on who and what we are collectively, as a society.”

The Nora Eccles Harrison Museum of Art is pleased to present this new body of work by Maisel, who was awarded a prestigious 2018 Guggenheim Fellowship in the Arts for the Proving Ground project.

MUSEUM HOURS:
Monday: closed
Tuesday: 10am-5pm
Wednesday: 10am-5pm
Thursday: 10am-7pm
Friday: 10am-5pm
Saturday: 9am-2pm
Sunday: closed

Haikus, Modernism and Stanton MacDonald-Wright

Exhibition

Stanton MacDonald-Wright’s “Haiga Portfolio” (1965-1966) blends Eastern and Western influences, pairing vibrant modernist paintings with haikus written by some of Japan’s most influential poets.
The term “haiga” refers to a style of Japanese painting by haiku poets, whose poems are known for their brevity and simplicity. Each of the ten prints that compose the “Haiga Portfolio” have a corresponding haiku.
The “Haiga Portfolio” exemplifies the 20th century modernist movement Synchromism, cofounded in 1913 by MacDonald-Wright and Morgan Russell. The movement sought to arrange color in the same way that sound is composed in music and is considered the first American avant-guard movement to be accepted internationally. Seventy-five years old at the time of the portfolio’s creation, MacDonald-Wright employed the use of energetic, swirling shapes coupled with dense, vivid colors orchestrated in the modernist style and the rhythm of Synchromism.

CIDI Workshop - Building Interactive Learning Activities with Atomic Assessments

Workshop/Training

Atomic Assessments provide 65 question types with multiple delivery and feedback options. They can be embedded nearly anywhere in Canvas, for practice or for points. Options abound for math and science. See how to create the interactive lessons you've longed to provide your students.

Latinx from the NEHMA Collection

Exhibition

Latinx works of art represent a growing part of the NEHMA collection and reflect a significant influence in Western American art. New acquisitions by Yolanda Gonzalez, Leo Limón, Paul Sierra and Eloy Torrez will be featured in Latinx from the Collection as well as a grouping of paños, artworks created on handkerchiefs by artists incarcerated in Texas penitentiaries.

Latinx from the NEHMA Collection is co-curated by USU Art History Professor Alvaro Ibarra and NEHMA Curator of Collections and Exhibitions Bolton Colburn.

Sky Above, Earth Below: A History of Western Landscape Photography

Exhibition

“Sky Above, Earth Below” traces the development of western landscape photography from the late 19th century to the 21st century, starting with early American photographers like Myra Albert Wiggins, Edward Curtis, and Karl Struss and concluding with contemporary photographers like Barry Andersen, Kimberly Anderson, Karalee Kuchar, and Charlotte Trolinger. The exhibition includes work from members of the Seattle Camera Club, FSA (Farm Security Administration), f/64 (a group of 20th-century photographers known for precise exposures and depiction of natural forms) and contemporary photography portfolios such as American Roads (printed in 1981), The Museum Project (printed in 2015), and DEMARCATION (printed in 2018).

David Maisel: Proving Ground

Exhibition

In a remote region of Utah’s Great Salt Lake Desert, a classified military site called Dugway Proving Ground remains largely hidden from public view, closed to civilians and rarely seen in the media. Since its founding during World War II, Dugway Proving Ground has been a test site for chemical and biological weapons.

In 2014, after a decade of inquiry to the Pentagon, artist David Maisel was granted access to Dugway Proving Ground. Through large-scaled photographs and video projection, Proving Ground immerses the viewer in this surreal and alien realm – in Maisel’s words, a “hidden, walled-off, and secret site that offers the opportunity to reflect on who and what we are collectively, as a society.”

The Nora Eccles Harrison Museum of Art is pleased to present this new body of work by Maisel, who was awarded a prestigious 2018 Guggenheim Fellowship in the Arts for the Proving Ground project.

MUSEUM HOURS:
Monday: closed
Tuesday: 10am-5pm
Wednesday: 10am-5pm
Thursday: 10am-7pm
Friday: 10am-5pm
Saturday: 9am-2pm
Sunday: closed

Haikus, Modernism and Stanton MacDonald-Wright

Exhibition

Stanton MacDonald-Wright’s “Haiga Portfolio” (1965-1966) blends Eastern and Western influences, pairing vibrant modernist paintings with haikus written by some of Japan’s most influential poets.
The term “haiga” refers to a style of Japanese painting by haiku poets, whose poems are known for their brevity and simplicity. Each of the ten prints that compose the “Haiga Portfolio” have a corresponding haiku.
The “Haiga Portfolio” exemplifies the 20th century modernist movement Synchromism, cofounded in 1913 by MacDonald-Wright and Morgan Russell. The movement sought to arrange color in the same way that sound is composed in music and is considered the first American avant-guard movement to be accepted internationally. Seventy-five years old at the time of the portfolio’s creation, MacDonald-Wright employed the use of energetic, swirling shapes coupled with dense, vivid colors orchestrated in the modernist style and the rhythm of Synchromism.

Latinx from the NEHMA Collection

Exhibition

Latinx works of art represent a growing part of the NEHMA collection and reflect a significant influence in Western American art. New acquisitions by Yolanda Gonzalez, Leo Limón, Paul Sierra and Eloy Torrez will be featured in Latinx from the Collection as well as a grouping of paños, artworks created on handkerchiefs by artists incarcerated in Texas penitentiaries.

Latinx from the NEHMA Collection is co-curated by USU Art History Professor Alvaro Ibarra and NEHMA Curator of Collections and Exhibitions Bolton Colburn.

Sky Above, Earth Below: A History of Western Landscape Photography

Exhibition

“Sky Above, Earth Below” traces the development of western landscape photography from the late 19th century to the 21st century, starting with early American photographers like Myra Albert Wiggins, Edward Curtis, and Karl Struss and concluding with contemporary photographers like Barry Andersen, Kimberly Anderson, Karalee Kuchar, and Charlotte Trolinger. The exhibition includes work from members of the Seattle Camera Club, FSA (Farm Security Administration), f/64 (a group of 20th-century photographers known for precise exposures and depiction of natural forms) and contemporary photography portfolios such as American Roads (printed in 1981), The Museum Project (printed in 2015), and DEMARCATION (printed in 2018).